Archive for March, 2015


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Velocity


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Naming and brand identity for a 100,000 sq ft development on the site of Brooklands racetrack. The concept behind Velocity was derived from the pioneering ‘spirit of Brooklands’, the world’s first purpose-built motorsport racetrack. Using imagery evocative of the golden age of British engineering, the campaign draws similarities between the site’s heritage and the development’s unique qualities and business advantages. The logo references classic British car and aviation insignia. The project encompassed all aspects of a pre- and post- completion campaign.

The work Blast have produced for Velocity is stunning, completely different to anything else in the market. The campaign genuinely sets Velocity apart from the competition and really communicates the development’s ground breaking, high quality design.
Edward Smith, Partner, Strutt & Parker LLP

Keaykolour Brand Identity


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Brand strategy, brand identity and marketing communications for Keaykolour paper. Arjowiggins are the leading manufacturer of premium sustainable papers for the creative industries and our new brand identity marked the next chapter for one of their flagship global brands.

The work included distinctive brand elements, marketing tools for designers and a website that positioned Keaykolour as a market leader of premium, sustainable coloured paper. The new brand was launched by our ‘Colourful Life’ marketing campaign, which centred around a unique collaboration with artist Ian Wright.

Keaykolour Website & Films


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Brand animation, viral films and website created as part of our rebrand and relaunch of the Keaykolour collection.

The website included sections on which to explore the whole range of papers (both graphically and photographically), the sustainability of the range, print guide and where to buy the paper. A section dedicated to the ‘Colourful Life’ launch campaign featured the three pieces of art created in collaboration with Keaykolour’s artistic ambassador Ian Wright. The site presented exclusive content to Keaykolour’s global design audience, including film footage of the making of each artwork, as well as a full screen gallery section for each piece.

Keaykolour: Colourful Life


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A global marketing campaign to launch the new Keaykolour paper collection to designers. We created ‘Colourful Life’ to show the potential for creativity, experimentation and inventiveness that Keaykolour offers. The campaign centred around a collaboration with artist and illustrator Ian Wright. The results were a series of original artworks created using Keaykolour, each exploring a different experimental way of working with the paper.

The artworks and the process of creating them were documented in printed marketing collateral, online and in four short films promoting the new range to a worldwide audience. The campaign launched in London with an exhibition showing the artworks for the first time, as part of the London Design Festival.

Logicor Brand Identity


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Logicor is a leading owner of logistics warehouses across Europe, with one of the largest portfolios of more than 13.7 million square metres. We worked with them to develop a brand strategy and identity that would reinforce their position as a premium European logistics company, resonate positively with customers and support future growth.

The new identity uses overlapping, three dimensional shapes to create a flexible ‘supergraphic’. The supergraphic works across numerous applications and scales, from architectural to mobile. The identity reflects Logicor’s versatile offer and flexible spaces. While the new colour palette lends a fresh look that helps the company to stand out against competitor brands.

As well as the brand strategy and visual identity, we produced new guidelines and redesigned their website.

University of Sussex Brand Identity


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With over 250 different logo variations in circulation, the University of Sussex needed a consistent, unifying identity that could reflect their pioneering and often radical approach to education. Following a brand strategy review we created a new, campaignable identity that helped communicate the University’s vision and quickly raise its profile.

Within three months of the brand identity launch, accepted places had risen by 29% on the previous year. Figures for the following year showed an increase in student applications of 22.7% (almost three times the national average). The University attributed the sharp rise in interest to the appeal of the ‘new look and a dynamic approach to attracting prospective students’.

The brand identity was awarded winner at the Design Business Association (DBA) Design Effectiveness Awards.

It Feels Good


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A marketing campaign to encourage businesses and designers to use recycled paper. For this project, rather than simply relaying benefits and facts, we turned up the good vibes using the strapline ‘It Feels Good’ to present a series of truisms about choosing recycled paper. We made our positive messages shareable through social media, posters and badges with which people could ‘show their colours’. Ultimately we wanted to motivate as many people as possible to use recycled paper – because ‘it feels good to do the right thing’.

The campaign consisted of three printed mailers, each with a series of illustrations to communicate different messages, as well as an eMarketing campaign to support the direct mail.

Form Brand Identity & Marketing


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Naming, brand identity and marketing inspired by the striking modernist architecture of the buiding. The idea of ‘form following function’ was carried through into the naming of the building and used to communicate the benefits and potential of the property (‘form: partnerships’, ‘form: the future’, ‘form: an opinion’).

We took a modernist approach to the typography and layout of the visual identity. The marketing campaign, ‘The Art of Work’ uses bold sans serif typography, colours, materials and print techniques, which reference the finishes of the building.

Inuit


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Identity and marketing materials for Inuit, a premium uncoated paper by Arjowiggins Creative Papers. We wanted to make the paper synonymous with creativity and fantastic print, appealing to designers and printers alike.

We commissioned a typeface that drew from the Inuit people’s syllabic alphabet, before giving it away to designers as a promotional tool. This approach gave us the perfect vehicle to highlight the quality and printability of the paper, whilst tapping in to one of designers’ key passions. Alongside the typeface, our campaign included print, advertising, website and event design.

Endless Possibilities


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A worldwide campaign to promote the Conqueror paper range to designers; changing brand perceptions, stimulating creative use and developing sales.

The campaign centred around a 256 page book containing a free resource of over 300 royalty-free illustrations by Damien Weighill. The illustrations, combined with the vast Conqueror range, provide “Endless Possibilities” to the designer. The book itself demonstrates a creative use of Conqueror and re-introduces the paper to the audience in a new context. A supporting website acts as a portal for designers to view and download the illustrations and ensured the project’s longevity. A viral email campaign generated awareness and brought the campaign a global audience.


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